The German composer dominates the classical charts and concert platforms, especially at this time of year. Here’s to his life-giving zombie music!

Performances in N.Y.C. Advertisement Supported by Fall Preview Malcolm X at the Met. Jaap van Zweden’s farewell to the New York Philharmonic. Premieres by Kate Soper and Ted Hearne. It’s shaping up to ...

When: Saturdays at 11 a.m. from December through early June. Opera from one of the most celebrated opera houses in the world. The live radio broadcasts are a tradition dating back to the 1930s. Hear ...

Most exciting formation of the decade: the 2003 re-birth of the Lucerne Festival Orchestra under Claudio Abbado, who made it a crack band of players he knows and loves from veteran cellist Natalia ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

Milan’s famed opera house is cracking down on the underdressed, even as it and other European opera companies try to attract a wider audience. By Amelia Nierenberg The Glyndebourne Festival, which ...

Lucy Crowe delivers a peerless Fiordiligi while Dinis Sousa conducts a fizzing account of Mozart’s opera about fidelity at the Coliseum. It’s easy to forget just how good Così fan tutte can be when it ...

Having previously stated (in The Stage) that 'This obsession about putting work out into the cinema can distract from making amazing quality work', English National Opera's Artistic Director, John ...

There’s no denying that Rise and Fall of the City of Mahagonny packs a punch. Kurt Weill’s score has bite, colour and a kind of glittering vulgarity that can turn on a threepenny bit from cabaret to ...

ETO is touring the Passion to 10 venues (many, but not all ecclesiastical) over the next few weeks, collaborating with locally based choirs in each location. On this first night in Lichfield Cathedral ...