Performances in N.Y.C. Advertisement Supported by City Ballet at 75 To make a company, George Balanchine first needed to make dancers. At 75, New York City Ballet pays tribute to its dancers, ...
When Heather Ogden dances Apollo with Ballet Vancouver, it will mark a long-awaited homecoming.
Add Yahoo as a preferred source to see more of our stories on Google. "My goal," said Lincoln Jones, "is to create an experience today that has the depth of [the art of the past] but also the ...
Performances in N.Y.C. Advertisement Supported by Original cast members talk about their experiences making the three-part plotless ballet, which opens New York City Ballet’s 75th anniversary season.
As she helped the dancers, it became instantly clear that the most paramount — and fragile — part of a Balanchine ballet is its musicality. Heading into City Ballet’s fall season, which continues ...
On “Spectacular Balanchine!” at American Contemporary Ballet, Los Angeles. Opening the program is the “Sweet and Lowdown” section from Who Cares?, Balanchine’s 1970 ballet set to the music of George ...
In the ephemeral realm of dance, the longevity of his influence is unique and shows no signs of waning. It’s fitting that choreographer George Balanchine is experiencing a cultural moment around the ...
George Balanchine was under great pressure. The Russian-born choreographer had been hired to create dances for “On Your Toes,” a musical by Rodgers and Hart, and wanted to artfully clash American jazz ...