Sara Holdren’s new production for Heartbeat Opera takes its lead from Bulgakov’s Faustian novel “The Master and Margarita.” By Joshua Barone The director Sara Holdren has made it pretty clear that she ...

Friday night's season-ending staging of Charles Gounod’s “Faust” by the New Orleans Opera Association was a triumph. The singing, acting, conducting, orchestral playing and nearly all of the staging ...

5.0 out of 5.0 starsAfter a glorious opening night at Glyndebourne, it’s a pleasure to be back at the Royal Opera House for the stunning visual and musical feast that is the all-star 6th revival of ...

It’s one of the most famous tales of a bad boyfriend in Western literature—a lonely scholar called Faust makes a deal with the devil and drags everyone else down with him—but in Sara Holdren’s new ...

First seen in 2004, McVicar’s staging still has all the illicit sheen and lure of Marguerite’s jewels. In an era of austerity (even at the Royal Opera) this kind of old-school, expensive theatricality ...

Throughout Charles Gounod’s five-act tour-de-force, with performances at 7:30 p.m. Aug. 27 and 30 at Mahaiwe Performing Arts Center, Hopkins inhabited new and evolving visages of Méphistophélès with ...

Jennifer Davis's Marguerite and Duke Kim's Faust pull out all the vocal stops in the final scene of Gounod's opera If Nicholas Brownlee is more bass-baritone than cavernous bass as the very devil, he ...

It turns out the music and lyrics of Depeche Mode make an apt companion to French composer Charles Gounod’s opera, “Faust.” Mixed Precipitation blends the moody lyrics of the British synth-rock band ...