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Eva Libertad’s Deaf is an intimate domestic drama of disjunctures and interiors. She engages us with a difficult conceit: a ...
Ahead of their slot at Edinburgh Psych Fest, La Sécurité’s Éliane Viens-Synnott on her mission to connect everyday events to ...
It’s no wonder Knight, Knight was a cult hit at last year’s festival. It’s clowny, it’s silly and it’s very funny. Back for round two, Madeleine Rowe trots onstage in full 'knights of the round table' ...
Readers might find catharsis in Discontent, Beatriz Serrano’s acerbic yet slight debut novel about millennial workplace ennui ...
The styles of both Wes Anderson and Christopher Guest are evoked in this winning documentary about the kooky community ...
Campbell X's long-awaited second feature, a queer road movie set in South Africa, suffers from irritating characters, ...
Michigan five-piece Hot Mulligan firmly mark their territory as the spearheading leaders of the Midwest emo revolution.
Macon Blair's slick remake of the Troma classic is not without its grubby charms, but its sub-Deadpool meta gags don't ...
Laufey dashes between flushes of romance and laments of lost love. Lover Girl, this record’s From the Start, wears the ...
Guitar is undoubtedly a pleasant listen and a fine addition to the DeMarco canon, if unlikely to go down as a classic.
Mike Flanagan's latest adaptation of Stephen King has some issues, but its fine performances and a fondness for theatricality ...
Adeleine a gem from high school. Barley was a walk from my dorm to class, and Playing Classics can now soundtrack my trek to ...